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Video interview · AI compliance · 30 October 2026

AI in music: who owns a song made with AI, and what legal risks you face

Yulia Kovalenko, music producer and head of HITMAKER, interviewed me for HITMAKER TV about the fears and wonders of music made with artificial intelligence: authorship, copyright, voice cloning, transparency and the terms of the platforms. We recorded on the BASE2 terrace overlooking Valencia’s marina, with AI Tinkerers Valencia. Here is the video and a summary of what I explain.

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HITMAKER TV
HITMAKER TV · Video interview · 30 October 2026About 30 minutes, in Spanish. Hosted and produced by Yulia Kovalenko.

What I explain in the interview

01

Only human creation is protected

The only holder of rights over a song is a person. If all you give is a prompt and the AI generates the rest, the work is not yours: ideas are not protected. Using AI as a tool — to help with the lyrics or parts of the song — is not the same as letting it generate everything.

02

Document your creative part

Voice notes, demos, lyric drafts: keep it all. In law what counts is proof, and that is what will show which part of the song is yours.

03

Cloning a voice is not a copyright issue

A voice has no copyright, but it is protected: it is personal data, just like your face, and part of your right to your own image. Cloning another person’s voice or image without consent was already unlawful before any AI law.

04

Read the platform’s terms

AI music platforms such as Suno usually say two things: that they are not liable, and that if they are sued over your song, they will come after you. And on their free plan you may only use what you generate for personal, non-commercial purposes.

05

Who must disclose that it is AI

Under the EU AI Act, the general duty to mark AI-generated content falls on the provider, the platform. But if it is a deepfake — say, a voice that sounds like a real person — whoever publishes it must disclose it too. I explain it in my EU AI Act guide.

06

Your artist profile is human

A platform may flag a specific song as made with AI, and may even decide not to accept that content. But you, as an author, are a person: in my view, your profile should not be presented as if you were not real.

And if someone clones a synthetic voice?

Yulia raised a case that is not yet regulated: a synthetic voice created from her own. I know of no specific rule and no case like it, but applying legal reasoning I believe it could also be defended, because it is based on her own voice and it is her creation.

Three recommendations if you make music with AI

  • Read the terms of the platform you use, so you know where your liability starts and ends.
  • Document your creative process: human creation is what gives you rights, and you have to be able to prove it.
  • Keep the human part: do not just press a button, direct the result. And do not clone other people’s voices.

This is not only a music problem: for three years I advised a digital art gallery, and generative artists face exactly the same questions.

“Ideas are not protected. What is protected is human creation.”

Miriam Acerete · HITMAKER TV

Every song is a different case

Which part is yours, what your platform’s terms allow and what you have to label depends on how you made the work and where you will exploit it. If you make music with AI, or work at a label or a platform, let’s review your case before you release.

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About the interview

HITMAKER TV, hosted and produced by Yulia Kovalenko, head of HITMAKER. Thanks to BASE2 for welcoming us to their terrace on Valencia’s marina, and to AI Tinkerers Valencia for bringing technology to more people. Watch the interview on YouTube.

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If you use or build AI

This summary is general information and does not replace advice on your case. See how I can help with AI compliance.

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Making music with AI? Let’s talk before you release it

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